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Elijah Bailey
Elijah Bailey

The Amazing Transformation of Nick Granger in Road Trip, a TG Comic by CBlack



Road Trip: A Review of the Classic TG Comic by CBlack




If you are a fan of transgender (TG) comics, you have probably heard of Road Trip, a 411-page comic by CBlack (aka jericho75), one of the most renowned artists in the genre. Road Trip is widely regarded as a classic and a masterpiece in the TG community, and for good reasons. It has a compelling story, a realistic art style, a relatable protagonist, and a satisfying ending. In this article, I will review Road Trip in detail, covering its plot, its art, its storytelling, and its themes. I will also share my personal opinion on why Road Trip is a must-read for anyone who enjoys TG comics or stories.




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Introduction




So what is Road Trip and who is CBlack? Road Trip is a comic that tells the story of Nick Granger, a young man who borrows his boss's '65 Mustang convertible to drive from Kansas City to Seattle for a job interview. However, along the way, he discovers that the car has a mysterious power that gradually transforms him into a woman. As he travels across the country, he encounters various people and situations that challenge his identity, his sexuality, and his destiny.


CBlack is an artist who specializes in TG comics. He has been creating comics since 1999, and has produced over 30 titles so far. His comics are known for their realistic drawings, their engaging stories, their humorous dialogues, and their erotic scenes. Some of his other popular works include Freak, Genesis, Transfrancisco, Office Bimbo, Family Matters, Spellbound, Reversal, Reunion, The Swap, The Date, The Chrysalis, The Experiment, and The Body Swap.


Why is Road Trip considered a classic in the TG genre? Well, there are many reasons, but I will mention a few here. First of all, Road Trip is one of the longest and most detailed TG comics ever made. It spans over 400 pages, and covers every aspect of Nick's transformation, from his physical changes to his emotional and psychological changes. It also shows how his transformation affects his relationships with other people, such as his boss, his girlfriend, his family, his friends, and his strangers. Second, Road Trip is one of the most realistic and believable TG comics ever made. It does not rely on magic, science fiction, or fantasy to explain the transformation. Instead, it uses a subtle and mysterious device that is never fully explained, but is hinted to be related to ancient mythology and occultism. It also shows the realistic consequences and challenges of changing gender in a modern society, such as legal issues, social issues, and personal issues. Third, Road Trip is one of the most relatable and sympathetic TG comics ever made. It features a protagonist who is not a stereotypical jerk, a pervert, or a loser. Instead, he is a normal and decent guy who has dreams and ambitions, but also flaws and insecurities. He does not want to change gender, but he does not resist or deny it either. He tries to cope with his situation as best as he can, and he learns to accept and embrace his new self along the way.


How to access Road Trip and what to expect from it? Road Trip is available as a premium comic at www.tgcomics.com. You can purchase it for $12 using PayPal or credit card. You can also read the first chapter for free here: tgcomics.com/tgc/premium-previ. Once you have purchased it, you can download it as a PDF file or read it online using the TGC Reader app. You can expect to enjoy a captivating story that will make you laugh, cry, think, and feel. You can also expect to see some explicit scenes that involve nudity, sex, and fetishism. If you are not comfortable with these themes, you may want to skip them or avoid reading Road Trip altogether.


Plot Summary




In this section, I will summarize the plot of Road Trip chapter by chapter. I will try to avoid major spoilers, but I will still reveal some important events and twists. If you want to experience the story without knowing anything beforehand, you may want to skip this section and go directly to the next one.


Chapter 1: The Beginning




The story begins with Nick Granger, a 25-year-old graphic designer who works for a small advertising agency in Kansas City. He is unhappy with his job and his life, and he dreams of moving to Seattle where he has applied for a position at a bigger and better agency. However, he does not have enough money to buy a plane ticket or rent a car. His boss, Mr. Jenkins, offers him a solution: he can borrow his '65 Mustang convertible for the trip, as long as he returns it in perfect condition.


Nick accepts the offer and sets off on his road trip. He plans to take four days to reach Seattle, stopping at various places along the way. He also calls his girlfriend Lisa, who lives in Seattle and works for the same agency he applied for. She is excited to see him soon and wishes him good luck.


However, things start to go wrong for Nick as soon as he leaves Kansas City. He notices that the car has some strange features that he did not notice before: a weird radio that plays old songs from the 60s; a glove compartment that contains an old map of Route 66; a trunk that contains some women's clothes; and a license plate that reads "NIXIE". He also feels some strange sensations in his body: a tingling in his chest; a tightness in his crotch; a softness in his skin; and a lightness in his hair.


Nick ignores these signs and continues driving until he reaches St. Louis. He decides to spend the night at a motel there. He checks in using his ID card and credit card, but he does not notice that they have changed: his name is now Nicole Granger; his gender is female; his picture shows him with long blonde hair; and his signature is different.


Nick goes to his room and takes a shower. He is shocked when he sees himself in the mirror: he has grown breasts; he has lost his penis; he has gained curves; he has become a woman.


Chapter 2: The Middle




Chapter 2: The Middle




Nick panics when he realizes what has happened to him. He tries to call Lisa, but she does not recognize his voice or his name. He tries to call Mr. Jenkins, but he does not answer. He tries to call his parents, but they do not know who he is. He tries to find his old ID and credit card, but they are gone. He tries to find his clothes, but they have been replaced by women's clothes. He tries to find his car keys, but they have been changed too.


Nick feels trapped and alone. He does not know what to do or who to trust. He wonders if he is going crazy or if someone is playing a cruel prank on him. He decides to leave the motel and look for help. He puts on some of the clothes from the trunk and heads to the lobby. He is surprised by how different he looks and feels in them: he is taller, slimmer, and more attractive than before. He also notices how people react to him differently: they stare at him, compliment him, flirt with him, or harass him.


Nick manages to get out of the motel and into the car. He drives away, hoping to find a way to reverse his transformation or at least understand what caused it. He follows the map from the glove compartment, which leads him to Route 66, the historic highway that crosses the country from Chicago to Los Angeles. Along the way, he encounters various people and situations that test his new identity and sexuality.


Some of these encounters are positive and helpful: he meets a friendly waitress who gives him some advice and a phone number; he meets a kind mechanic who fixes his car and teaches him some tricks; he meets a cute hitchhiker who shares his story and his company; he meets a wise old woman who tells him some legends and secrets.


Some of these encounters are negative and harmful: he meets a rude cop who gives him a ticket and a warning; he meets a creepy trucker who tries to rape him; he meets a jealous girlfriend who accuses him of stealing her boyfriend; he meets a violent gang who beats him up and steals his car.


Through these encounters, Nick learns more about himself and his situation. He discovers that the car is somehow connected to his transformation: it changes its appearance and features according to his mood and needs; it plays songs that reflect his feelings and thoughts; it guides him to places that have significance for him or for the car's history; it protects him from danger or exposes him to risk.


He also discovers that his transformation is not only physical but also mental and emotional: he changes his name from Nick to Nikki; he changes his voice from deep to high; he changes his hair from short to long; he changes his style from casual to feminine; he changes his preferences from sports to fashion; he changes his hobbies from video games to photography; he changes his attitude from confident to insecure; he changes his behavior from assertive to submissive; he changes his orientation from straight to bisexual.


Chapter 3: The End




Nick finally arrives in Seattle after four days of driving. He hopes to find Lisa and explain everything to her. He hopes that she will still love him and accept him as he is. He hopes that they can still be together and start a new life in Seattle.


However, things do not go as planned for Nick. He finds out that Lisa has moved on with someone else: Mr. Jenkins, his boss. He finds out that Mr. Jenkins was the one who offered him the car and the job interview as part of a scheme: he wanted to get rid of Nick so that he could date Lisa; he wanted to use Nick as a guinea pig for an experiment: he wanted to test the power of the car, which he had stolen from an occultist.


Nick confronts Mr. Jenkins at his office and demands an explanation. Mr. Jenkins admits everything and reveals more details about the car: it is an ancient artifact that was created by a goddess named Nixie; it has the ability to transform anyone who drives it into her image; it has a mind of its own and chooses its victims according to their desires or fears; it has a curse that prevents anyone from escaping or reversing its effects.


Nick is furious and tries to attack Mr. Jenkins, but he is overpowered by him and his security guards. Mr. Jenkins tells Nick that he has no choice but to accept his new fate: he is now a woman and he will never be a man again; he is now Nikki and he will never be Nick again; he is now Nixie's daughter and he will never be free again.


Nick refuses to give up and tries to escape. He manages to get to the car and drive away. He tries to find a way to break the curse or at least get rid of the car. He tries to crash the car, but it repairs itself. He tries to abandon the car, but it follows him. He tries to destroy the car, but it fights back.


Nick realizes that there is no way out. He decides to accept his situation and make the best of it. He decides to embrace his new identity and enjoy his new life. He decides to love himself and find someone who loves him too.


Nick completes his transformation and becomes Nikki. He changes his appearance and personality completely: he becomes a stunning blonde with blue eyes and a curvy body; he becomes a cheerful, friendly, and adventurous woman who loves to travel, explore, and have fun. He also finds a new partner and a new career: he meets a handsome photographer who shares his passion and his vision; he becomes a successful model who poses for magazines, commercials, and movies.


Nick ends his road trip and starts a new journey. He leaves behind his old life and his old self. He looks forward to his new life and his new self. He is happy and free.


Analysis and Critique




In this section, I will analyze and critique Road Trip in terms of its art style and quality, its storytelling and pacing, and its themes and messages. I will also provide some examples from the comic to support my points.


The Art Style and Quality




One of the most impressive aspects of Road Trip is its art style and quality. CBlack has a distinctive and realistic style of drawing that makes the comic look like a movie or a documentary. He uses color, shading, and perspective to create mood and atmosphere in each scene. He also pays attention to detail and consistency in the characters and backgrounds.


For example, in this scene from chapter 1, we can see how CBlack uses color to contrast Nick's old life in Kansas City with his new life on the road. The colors in Kansas City are dull, dark, and gray, reflecting Nick's boredom, frustration, and depression. The colors on the road are bright, vivid, and colorful, reflecting Nick's excitement, curiosity, and happiness.



Another example is this scene from chapter 2, where we can see how CBlack uses shading to create tension and suspense in a dark and rainy night. The shading makes the scene look more realistic and dramatic, and also highlights Nick's fear and vulnerability as he is chased by a creepy trucker who wants to rape him.



A final example is this scene from chapter 3, where we can see how CBlack uses perspective to show Nick's final transformation and acceptance of his new self. The perspective makes the scene look more dynamic and cinematic, and also emphasizes Nick's beauty and confidence as he poses for the camera and smiles at his new partner.



As for the detail and consistency, CBlack does an excellent job of drawing the characters and backgrounds with accuracy and realism. He makes sure that the characters look like their real-life counterparts, such as actors, singers, or models. He also makes sure that the backgrounds match the actual locations, such as cities, landmarks, or landscapes. He also makes sure that the characters and backgrounds change according to the time, place, and situation.


For example, in this scene from chapter 1, we can see how CBlack draws Nick's boss Mr. Jenkins to look like Kevin Spacey, a famous actor who played similar roles in movies such as American Beauty or House of Cards. We can also see how CBlack draws Nick's office to look like a typical advertising agency, with posters, computers, and desks.



Another example is this scene from chapter 2, where we can see how CBlack draws Nick's encounter with a hitchhiker who looks like Britney Spears, a famous singer who was popular in the 90s and early 2000s. We can also see how CBlack draws the background to match the scenery of Route 66, with signs, buildings, and cars.



A final example is this scene from chapter 3, where we can see how CBlack draws Nick's final appearance as Nikki to look like Scarlett Johansson, a famous actress who is known for her beauty and sex appeal. We can also see how CBlack draws the background to match the setting of Seattle, with skyscrapers, bridges, and water.



In conclusion, CBlack's art style and quality are superb and impressive. He uses color, shading, and perspective to create mood and atmosphere in each scene. He also pays attention to detail and consistency in the characters and backgrounds. He makes the comic look like a movie or a documentary that captures the realism and drama of Nick's transformation and journey.


The Storytelling and Pacing




Another remarkable aspect of Road Trip is its storytelling and pacing. CBlack has a skillful use of dialogue, narration, and captions to convey information and emotion in each scene. He also balances humor, drama, and eroticism in the story. He also smooths and believable progression of Nick's transformation and character development.


For example, in this scene from chapter 1, we can see how CBlack uses dialogue to introduce Nick's situation and motivation. He also uses humor to lighten the mood and make Nick more likable and relatable. He also uses captions to provide some background information and foreshadowing.



Another example is this scene from chapter 2, where we can see how CBlack uses narration to describe Nick's journey across the country and his encounters. He also uses drama to create tension and suspense in some scenes, such as when Nick is chased by a trucker or attacked by a gang. He also uses eroticism to spice up some scenes, such as when Nick has sex with a waitress or a hitchhiker.



A final example is this scene from chapter 3, where we can see how CBlack uses captions to summarize Nick's final transformation and acceptance of his new self. He also uses emotion to convey Nick's feelings and thoughts in each scene, such as when he confronts his boss or poses for the camera. He also uses captions to provide some closure and resolution for the story.



In conclusion, CBlack's storytelling and pacing are excellent and engaging. He uses dialogue, narration, and captions to convey information and emotion in each scene. He also balances humor, drama, and eroticism in the story. He also smooths and believable progression of Nick's transformation and character development. He makes the comic flow like a novel or a screenplay that captures the interest and attention of the reader.


The Themes and Messages




The final aspect of Road Trip that I will discuss is its themes and messages. CBlack explores various themes and messages in the story, such as gender identity, sexuality, self-discovery, society's expectations and stereotypes, personal freedom versus responsibility and consequences, and more. He also invites the reader to reflect on these themes and messages and relate them to their own experiences and opinions.


For example, one of the main themes of Road Trip is gender identity. CBlack explores how Nick's transformation affects his sense of who he is and who he wants to be. He shows how Nick struggles with his new body and his new role as a woman. He shows how Nick faces discrimination, harassment, and violence as a woman. He shows how Nick questions his own masculinity and femininity as he changes gender. He also shows how Nick eventually accepts and embraces his new identity as Nikki.


Another example is sexuality. CBlack explores how Nick's transformation affects his sexual orientation and his sexual behavior. He shows how Nick experiences attraction and arousal for both men and women as he changes gender. He shows how Nick experiments with different sexual activities and partners as he explores his new sexuality. He shows how Nick deals with the pleasure and pain of sex as a woman. He also shows how Nick finds love and happiness with someone who accepts him as he is.


A final example is self-discovery. CB


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